Hmmm, thats a very good point. However, the material is currently masked. Do you mean I should paint on some lighter sections onto the texture? Or should I swap my material to transparent. I found transparent textures were not quite as sharp or crisp.
Still working on adding more of those circular shapes 
CG textures doesnt really seem to have any sadly. Off to google!
Sorry it took so long to get back to you on this. While you could use a 3d package to sim, I think the core concepts of the greyscale layers to eroding, and creating a normal map from the greyscale texture can still apply to a hand painted texture. If I had to guess at the process, Iâd say: paint your initial spray/texture first, and then keeping the surface tension in mind (and how blood breaks at the thin areas and consolidates at the thick) you could drop the initial layerâs opacity very low, and take a low opacity brush to build up on it. I think you could then take the final greyscale texture and make a normal map out of it.
The newest texture added to my blood material. Having a really hard time retaining any shape with this blood erosion stuff. The first flame looks good. However, as soon as the texture starts to erode even a little bit , it kinda breaks up into confetti. Ill probably need to paint the alpha like you guys have suggested. That or I can just separate the stringy bits and the spotty bits into a separate texture.
Oh right, also goes brighter over life now. Not sure I like the look, but ill give it a chance. Also managed to strip 3-4 textures from the original material through channel packing my textures 
Ill post more soon!
That brighter over life was a good move!
have you seen this video? some really nice reference for thicker fluids in slow motion.
one trick iâve had some success with for good shapes in fluid erosion is to author 2-3 good fluid shapes then overlay them in additive mode in photoshop but at about 50% opacity - that way as it erodes itâs to shapes that youâve specifically authored. Similarly adding a 5-10% opacity noise or radial vignette on multiply can help remove large solid shapes and ensure that your sprite erodes to the centre.
iirc Fran used a really nice technique on the blood in Gears Ultimate that used fluid meshes with vertex offset animation and used a frenel term increasing over time for the opacity which made them erode really nicely.
If you start with a nice stringy paint in mid-air texture like this one (not splattered onto a surface, you want it before it hits something and expands),
Then you use alpha erosion to go from opaque to transparent over the lifetime of the particle (the curve of that transition will be something you experiment with). Expand the size of your quad evenly over time. Donât use too much gravity. Tint as you like (just a tiny little variety in hue can be nice). Be conservative with the rotation unless you have several different textures and they donât have enough detail on them to stand out too much (like only one strand). I would shy away from highlights/specular on it unless itâs only for still images. You donât really notice them when blood spatters. You only notice whether the curved sheet of fluid is getting light or is in shadow, so if you can make each sprite face a different 3D direction (slightly away from camera-facing) and have it be lit by the same lighting as the scene, you should get that look you are going for where it has lit parts and shaded parts and doesnât look too flat.
The âThresholdâ progressions for this texture look like this (rough sample using every 32 levels of grey):
Good luck!
Hey Troy!
Thanks for the extensive write up. Ill paint up a texture like this tonight, Did you have a translucent or a masked material in mind for this? Im guessing the idea was translucent . Ill post what I come up with tonight : )
Thanks heaps for the feedback and ideas guys!
The material I gave would be the alpha channel. You can put whatever you want in the RGB channels. Maybe you can make some of the areas where the strands are lighter and some darker or a slight darkening around the edges. I think you get more bang for your buck randomizing the hue of the tint slightly rather than what you put in the RGB channels. When you make your alpha erosion channel, use Photoshop âThresholdâ slider to see how it would animate over time.
Itâs looking awesome so far, Russel!! When it comes to making sure the blood clips out into nice round beads, I like to work backwards. Well I guess I work backwards and forwards, haha. I draw the result of the clip - a few dots/globs - and then I draw the initial splat/silhouette. Kinda like this (just a quick sketch):
I generally like to start with each âframeâ on a different layer, and I use a greyscale texture to color pick each step. But eventually I flatten it out and just use normal painting techniques to blend it all together into a nice clip texture.
Thatâs just my personal technique! I know lots of folks who prefer to simulate it instead of painting it.
Another thing you might want to consider is adding a separate âblood stringâ effect that clips out similarly, but with some heavy uv distortion. Gives you a little more variety instead of having the strings in the same texture as the goop/splat. Another quick example of how Iâd start (these are super fun and quick to pump out with the pen tool in photoshop):
I took a crack at this and failed. I think I know why though. Ill take another crack at it tomorrow night.
Ill show you guys my result so you can laugh.
sad trombone
On the texture it looked alright. However in game it eroded pretty bad. Thanks for all the advice Smgrisson : )
Totally keep at it! Itâs a real good start! Donât forget UV Distortion; you can get a lot more mileage out of one texture that way. This was from a quick test a while back - string textures like the one above with a grit texture and a mist texture. (I donât personally go for the super shiny looking blood, but you get the idea!)
Finally my first post here 
Good work man. I like where this is going. Iâm glad we share this obsession of working in blood vfxs
Remember the little time we were together at work, try to get the normal maps directly from the mesh, Using B&W masks gives good results but not awesome.
As weâve talked few times, Iâm using Blender more and more lately. I donât want to depend on any commercial software thatâs not available in some companies. Getting fluids directly from Blender and editing the mesh to get more âliquidyâ look itâs definetely something that can be achieved within Blender.
Here are some tutorials to achieve the thickness you are looking for:
I havenât had much time to test all these things in Unreal but I can see this working in my head xD
Also Iâve been testing lately to apply a fresnel material in 3dsmax to get a B&W texture to apply the erosion and it kind of works as a base.
As Tom mentioned, in Gears of War one of the things that helped a lot the look of the blood was using the Modulate mode.
Hi Augie,
You can achieve that with a distance field. Do you happen to have a substance designer license? I made myself a node to generate threshold textures from liquid shapes, and uploaded to substance share: https://share.allegorithmic.com/libraries/1744
Itâs kinda crude at the moment but Iâll certainly rework it in the future. I made a quick 10 minute texture to show you my proccess. Hereâs pictures of the substance graph, threshold texture and a flipbook made out of that texture:
Hey guys (and Mr Fran)
Thanks heaps and heaps for all the feedback. Im just taking a little break from this effect to play around with something else at the moment. I think a chunk of my textures are going to need a redo. Someone brought it up at work that a lot of my shapes are fading in a concave way instead of convex. This very quickly destroys the shape of the blood splatty textures and makes them look very confetti like. Ill look into picking up substance designer (because that example above looks frigin wicked!) and look into blender again. 60% of this effect is already using blender (and blender normals). The only issue is I couldnt figure out how to work it properly. So my liquid shapes are all quite meh. Ill post somthing up by this Sunday I promise! Your feedback is not going to waste : P
Ill check out those blender tutorials over lunch tommorow at work. Get some renders going on the faster pcs. Thanks for the links
Below is a snap shot to show the bad concave shapes
Yeah, those ones. The shapes just to the left and a bit lower, with the holes in them, look great though! Just gotta watch out for those pointy corners 
Thatâs really cool. Iâm just about to get into Substance!
Alright, so im still having issues with these stringy bits. They currently look like red crowbars. Im going to start building an effect instead of whatever this currently is. Its hard to be pationate about random blood particles emitting with a spherical velocity.
Yesh, iv seen slideshows with a higher fps than this gif
Welcome! Thanks for posting!
Russell if you removed those stringy bits I think the effect would still look awesome! Sometimes if I run into a texture thatâs not eroding iâll multiply some difference clouds on top just to break it up. Remember, blood is about as organic as it gets! Itâs looking great!
Yance
Good researching, Russell! I recommend you show us your references for better understanding what you want to achieve at the end. And itâs always better to make such VFX with a character with an appropriated animation. That help you understand dynamic, shapes and timing better.
